Download Cattedrale Font Family From Creativemedialab

Download Cattedrale Font Family From Creativemedialab

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Introducing Cattedrale, a gothic style Blackletter font with a strong and elegant look includes a full set of capital and lowercase letters, multi-lingual support, currency figures, numerals and punctuation. Arrange the nice and unique ornaments with Cattedrale Ornament, or add into your display letters to make it look more sweet and stunning. Cattedrale is perfect for tattoos, clothing, labels, packaging, branding, headings, or any Gothic themed projects!

Download Cattedrale Font Family From Creativemedialab
Download Cattedrale Font Family From Creativemedialab



Download Cattedrale Font Family From Creativemedialab


Download Hicksons Font Family From Gleb Guralnyk

Download Bountiful Signature Font Family From Arendxstudio

Download Bountiful Signature Font Family From Arendxstudio

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Bountiful Signature is a high energy signature-style script font guaranteed to make a big impression. Digitally hand-drawn, it's super-clean smooth flow and high-intensity pen strokes make an unmistakeable impact in logo/branding projects, large header text and product packaging. Features: 1.Uppercase & Lowercase 2.Numer & Punctuation 3.Multilingual support 4.Ligatures 5.Alternates There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen :)

Download Bountiful Signature Font Family From Arendxstudio
Download Bountiful Signature Font Family From Arendxstudio



Download Bountiful Signature Font Family From Arendxstudio


Download Typist Slab Font Family From VanderKeur

Download Typist Slab Font Family From VanderKeur

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The typeface Typist originated during an extensive research on the origin and development of typewriter typestyles. The first commercially manufactured typewriter came on the market in 1878 by Remington. The typestyles on these machines were only possible in capitals, the combination of capitals and lowercase came available around the end of the nineteenth century. Apart from a few exceptions, most typestyles had a fixed letter width and a more or less unambiguous design that resembled a thread-like structure. A lot of this mechanical structure was due to the method the typestyles were produced. Looking at type-specimens for print before the first typewriters were good enough to came on the market we can see that in 1853 and in 1882 Bruce’s Type Foundry already had printing type that had a structure of the typewriter typestyles. Of course printing types were proportional designed as typewriter typestyles had a fixed width. So it is possible that except from the method of production for typewriter typestyles, the design of printing types were copied. In the design of the Typist, the purpose was – next to the monospace feature – to include some of the features of the early typewriter typestyles. Features such as the ball terminals and the remarkable design of the letter Q. This new typeface lacks the mechanical and cold look of the early typewriter typestyles. The Typist comes in six weights with matching italics in two versions. One that resembled the early typewriter typestyles (Typist Slab) and a version designed with coding programmers in mind (Typist Code).

Download Typist Slab Font Family From VanderKeur
Download Typist Slab Font Family From VanderKeur



Download Typist Slab Font Family From VanderKeur


Download Typist Code Font Family From VanderKeur

Download Typist Code Font Family From VanderKeur

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The typeface Typist originated during an extensive research on the origin and development of typewriter typestyles. The first commercially manufactured typewriter came on the market in 1878 by Remington. The typestyles on these machines were only possible in capitals, the combination of capitals and lowercase came available around the end of the nineteenth century. Apart from a few exceptions, most typestyles had a fixed letter width and a more or less unambiguous design that resembled a thread-like structure. A lot of this mechanical structure was due to the method the typestyles were produced. Looking at type-specimens for print before the first typewriters were good enough to came on the market we can see that in 1853 and in 1882 Bruce’s Type Foundry already had printing type that had a structure of the typewriter typestyles. Of course printing types were proportional designed as typewriter typestyles had a fixed width. So it is possible that except from the method of production for typewriter typestyles, the design of printing types were copied. In the design of the Typist, the purpose was – next to the monospace feature – to include some of the features of the early typewriter typestyles. Features such as the ball terminals and the remarkable design of the letter Q. This new typeface laks the mechanical and cold look of the early typewriter typestyles. The Typist comes in six weights with matching italics in two versions. One that resembled the early typewriter typestyles (Typist Slab) and a version designed with coding programmers in mind (Typist Code).

Download Typist Code Font Family From VanderKeur
Download Typist Code Font Family From VanderKeur



Download Typist Code Font Family From VanderKeur


Download Chillerz Font Family From Hanoded

Download UNY Font Family From TEKNIKE

Download UNY Font Family From TEKNIKE

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UNY is a display slab serif font. UNY is a distinct all caps geometric typeface inspired by varsity, college and university sports as well as the military. The UNY name was derived as a new styled acronym from the word university. UNY is great for sports, sports teams, schools, fantasy, display work, invitations, writing, quotes, posters, acronyms and headings.

Download UNY Font Family From TEKNIKE
Download UNY Font Family From TEKNIKE



Download UNY Font Family From TEKNIKE


Download Melliyan Font Family From Sulthan Studio

Download Melliyan Font Family From Sulthan Studio

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Melliyan is a new, fresh, funny, interesting, and cute calligraphy font with heart that can be connected front and back. You will have an amazing idea when you make greeting cards, branding materials, business cards, quotes, posters, and more! Melliyan includes many alternative characters. It is coded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book. Windows users can use the Character Map to view and copy one of the additional characters to paste into your favorite text editor. For people who have opentype-capable software: Alternatives can be accessed by turning on the "Alternative Style" and "Ligature" buttons on the Photoshop Characters panel, or through any software with glyph panels, such as Adobe Illustrator, Photoshop CC, Inkscape.

Download Melliyan Font Family From Sulthan Studio
Download Melliyan Font Family From Sulthan Studio



Download Melliyan Font Family From Sulthan Studio


Download Olivia Serif Font Family From Stabenfonts

Download Olivia Serif Font Family From Stabenfonts

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The rounded Serif with edges. Olivia Serif got curves on the outlines and edges on the inlines. So it can be very legible and space efficient at the same time: the curves keep the distinctions between the letters, the corners keep the influences from broadnibbed pens with a subtle horizontal stress for great legibility. Olivia has personality without being obtrusive. Three weights (light, regular, bold) are equipped with real italics, SmallCaps, different sets of figures, accents for almost every latin script, arrows, symbols. A fourth weight (black) comes without italics or SmallCaps, but all the other features. Olivia: with or without.

Download Olivia Serif Font Family From Stabenfonts
Download Olivia Serif Font Family From Stabenfonts



Download Olivia Serif Font Family From Stabenfonts


Download Olivia Sans Font Family From Stabenfonts

Download Olivia Sans Font Family From Stabenfonts

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The rounded Sans with edges. Olivia Sans got curves on the outlines and edges on the inlines. So it can be very legible and space efficient at the same time: the curves keep the distinctions between the letters, the corners keep the influences from broadnibbed pens with a subtle horizontal stress for great legibility. Olivia has personality without being obtrusive. Three weights (light, regular, bold) are equipped with real italics, SmallCaps, different sets of figures, accents for almost every latin script, arrows, symbols. A fourth weight (black) comes without italics or SmallCaps, but all the other features. Olivia: with or without.

Download Olivia Sans Font Family From Stabenfonts
Download Olivia Sans Font Family From Stabenfonts



Download Olivia Sans Font Family From Stabenfonts


Download Hermona Font Family From Arterfak Project

Download Hermona Font Family From Arterfak Project

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A new experimental vintage font called Hermona. The combination of retro and old fashioned era. Inspired by old school badges and labels. Hermona is an all-caps font that perfect for a headline. A great choice to use in label, poster, signage, t-shirt, storefront, greeting cards and logotype. Hermona is also complete with a lot of special characters such as stylistic alternates or swashes which are possible to combine and get more calligraphic looks. The ornaments and pre-made also include in a pack. Typeface features: - Uppercase - Smallcaps - Numbers - Punctuation & symbols - Accents - Custom ligatures - Stylistic Alternates - Contextual Alternates - Swashes - Stylistic set 01-05 Best Regards, Ramz.

Download Hermona Font Family From Arterfak Project
Download Hermona Font Family From Arterfak Project



Download Hermona Font Family From Arterfak Project